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Sasha studio original girls, dressed in white dresses made by Sherry Foggan.
L -R Front row: Amerita, Lucy, Madeline, Celeste. Back row: Deirdre Rose, Polly, Birgitta.
Pictures of each one are below.

The Current Exhibit Is:

Sherry Foggan's White Dresses for Sasha

One-of-a-kind dresses Sherry made for her own studio dolls.

Updated: July 21, 2011

 

This exhibit was first presented September, 2004.

     This exhibit is a little tribute to Sherry Foggan, who loved Sasha dolls like we all do. In the very best Sasha tradition, Sherry used the dolls and her own many talents, to create clothes and settings in which she could express her own creative talents, her love of children and mankind, and to perpetuate the philosophy of Sasha Morgenthaler which all Sasha lovers recognize and hold dear.
     One of the last major projects of her life, was to make these dresses from fabrics Sherry had collected over the years. The dresses are styled in the classic yoke style, made from antique fabrics which were formerly table and bed linens, curtains, baby dresses, chemises and petticoats dating from the late 19th and early 20th Centuries. Sherry used the hand work, tucks, laces and edgings to the best advantage on each item of clothing, with the plain portions of the fabrics for slips, petticoats, and drawers. The construction of the dresses is in the very best Sasha tradition, with fine hand sewing for finishing, french seams, tiny pearl buttons, and the tiniest of snaps used to fasten the backs of the dresses and sleeve cuffs. Sherry's sewing skills truly do justice to the fine fabrics used to make the dresses, and to the tradition of perfection that Sasha insisted on for her dolls. The very skillful use of the available fabric, to style the skirt, yoke and sleeves to the best advantage to make a beautifully styled dress in the traditional Sasha style, is testament to Sherry's sewing skills, and her love and understanding of Sasha dolls. I hope that all those who view this exhibit, will be inspired to create clothing and settings for their own Sasha dolls, and to study and perpetuate Sasha's timeless philosophy for future generations.

Sherry Hope Foggan, a little biography.
     Sherry Hope Foggan, died March 12, 2004, in Bridgewater, NJ. A retired children's librarian for the Hillsborough Public Library, Sherry was an avid collector of Sasha dolls and the author of numerous articles about Sasha published in Doll Reader, The Global Doll Society magazine, and other publications. She designed Sasha clothes, sewing, knitting and crocheting patterns for Sasha, and created Sasha Logo Pins for enthusiasts, as well as Sasha games, notecards and paperdolls. Sherry and husband John were the organizers for the 1993 Sasha Festival held in Somerset New Jersey, which celebrated the 100th anniversary of Sasha Morgenthaler's birth.
     Sherry was a founding member and immediate past president of the Especially Dolls doll club, a member of the Keepsake Doll Club, NJ Doll Club, the Sasha Dolls Collectors Club, the Original Doll Artists Council of America, the United Federation of Doll Clubs (UFDC), Doll Clubs of America (DCA), and the Global Doll Society. She created displays of her Sasha dolls in a variety of settings, including the Hillsborough Public Library. Sherry regularly attended Sasha Festivals, and enjoyed traveling to doll shows and conferences in the U.S. and overseas.
     Sherry also enjoyed needlecrafts such as cross-stitch, quilting, lace-making and smocking. She was a contributing member to many nonprofit and cultural organizations, including the Sasha Morgenthaler Museum in Zurich, the Smithsonian Institution in Washington, DC and St. Jude's Ranch for Children in Boulder City, Nevada.
     Remembered by her many friends, she is survived by her husband of 53 years, John, two daughters, two grandchildren, and hundreds of dolls.


A newspaper photograph picturing a portion of one of Sherry's Sasha doll exhibits at the Hillsborough (NJ) Public Library.

Photographs and text © Susanna Lewis 2004.
Click on the small pictures to see larger pictures.

The Gypsum Girls.

       

Celeste.
CIII, 1952. All hard body, made from gypsum and painted. Head Type III.
Her dress is made from antique decorated cotton muslin. The yoke and sleeve cuffs are hand embroidered with whitework, the skirt is panels of plain muslin fabric alternated with panels of very fine crochet lace. The yoke and sleeve cuffs are edged with more very fine crochet lace. Underneath she wears a plain slip made from the same muslin.

       

Lucy.
CIV, 1953. All hard body, made from gypsum and painted. Head Type IV.
Her dress is made from cotton lawn, and the skirt has a very deep plain hem. Above the hem to the yoke, the skirt is machine embroidered with a wide floral pattern, continuing with a spot design to the yoke. The yoke is pintucked with lace insertions each side. The neckline and sleeve cuffs are edged with a similar lace design. Underneath she wears a plain slip, and drawers with a deep eyelet embroidery edging.

       

Deirdre Rose.
CIV, 1954. All hard body, made from gypsum and painted. Head Type IV.
Her dress is made from antique cotton muslin embroidered by hand with an allover daisy flower and leaf pattern. The free edges of the fabric, on the skirt and sleeves, are cut in a scallop pattern and bound with more embroidery. The yoke is more of the same fabric, with a daisy motif centered. Her drawers are of plain muslin, edged with a wide edging of filet lace.


The Plastic Girls.

       

Madeline.
CIII, 1961. All hard body made from hard plastic. Head Type III.
Her dress is made from what appears to be new fabric of fine cotton, with a wide border of machine embroidered flowers and bands of pintucks. The yoke and little sleeves are also of the flower border pattern. Underneath she wears a slip and long drawers of the same fabric but without flowers, both are pintucked around their lower edges.

       

Birgitta.
CIII, 1972. All hard body made from vinyl. Head Type III.
Her dress is made from an antique fine muslin with hand embroidered stitching in a pale blue-gray thread. It is square, cutwork panels alternated with embroidered flower panels, with a flower and leaf pattern decorating the lower edge of the skirt. The yoke and sleeves are cut from the same fabric. Underneath she wears a slip of fine antique linen with pintucks and a hand embroidered edging decorating the lower edge.

       

Amerita.
CII, 1972. All hard body made from vinyl. Head Type II.
Her dress is made from antique fine pintucked cotton. The lower edge is cutwork in a very beautiful and graceful pattern, including a scalloped edge. Underneath she wears a plain slip with a plain ruffled edge around the bottom, made from antique fine muslin.

       

Polly.
CI, 1972. All hard body made from polymer resin. Head Type I.
Her dress is made from very soft and fine antique batiste, all hand embroidered. It is a simple pattern of scallops and dots around the bottom of the skirt, with the dot pattern repeated on the yoke and sleeves. It is a very soft and flowing fabric, accented with delicate lace edgings and insertions at the sleeve cuffs, neck and bottom of the yoke. Underneath she wears a plain slip and drawers made from fine linen and pintucked around the lower edges.

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